Heritage Placemaking through the Arts
This research explores the intersection of arts and heritage practices in enhancing historic sites’ preservation, memory, and community vitality. It examines how arts-based initiatives engage with collective memory, address narratives of trauma, combat erasure, and foster community collaboration in co-producing heritage and creative practices.
Guiding Questions
- How do intangible and tangible heritage practices intersect?
- How do the arts enhance the experience, memory, and preservation of historic sites and spaces?
- How do the arts revitalize and maintain community vitality through creative placemaking and tradition building?
- How do the arts engage collective memories of troubled history and sites of trauma?
- How do the arts battle erasure of threatened communities and places?
- How do arts and heritage practices negotiate conflicting narratives and perspectives among varying communities?
- How does heritage inform new creative practices?
- How are communities engaged in the co-production of arts and heritage research and practice with artists and academics?
Research Projects
- Loray Mill Musical
- Brooklyn to Browne’s Ferry
- Charlotte Strings Collective
- Lavagem Festival
- Ring Shout Traditions
- Equity in Memory and Memorial (E2M)
- Mobile Studio
Research Projects
LEADERSHIP
Cadre Leader
Tamara Williams, Associate Professor of Dance
Affiliated Faculty
- Nadia Anderson
- Brian Arreola
- Carlos Cruz
- Sequina Dubose
- Mira Frisch
- Matthew Gin
- Kim Jones
- Emily Makas
- Juila Robinson Moore
- Samira ShiraDevich
- Greg Snyder
- Ashley Tate
- Meg Whalen